11/6/2022 0 Comments Valhalla vintage verb vs platePlug in your analog synth and send yourself into retro sci-fi heaven. Lusher and denser than the Concert Hall algorithm, with loads of warmth and grit on tap, for a roughly hewn beauty. A fresh look at the Concert Hall algorithm, with the goal being to emulate the strange fixed point and convertor artifacts of early 80s reverb hardware. Sanctuary incorporates the bit reduction and floating-point gain control used in the A/D and D/A convertors of the early digital hardware.ĭirty Hall. Discrete early reflections, a dense late reverb that rapidly builds in echo density, lush detuned modulation. Inspired by a classic German digital reverberator from the 1970s. Useful for adding “air” to drums, vocals, and any place where a reverb should be felt but not heard. Combines time varying randomized early reflections with a full-featured reverb tail, with the balance between early and late reverb controlled by the Attack knob. Same as Random Space, but with the delay randomization replaced with lush chorused modulation.Īmbience. The modulation uses internal delay randomization, to reduce metallic artifacts without the pitch change that can occur in the algorithms with chorused modulation.Ĭhorus Space. This generates DEEP and WIDE reverbs, with a slow attack, and more diffusion than the late 1980s algorithms that inspired it. Highly diffuse, high echo density, less coloration than Plate/Room algorithms, chorused modulation. Medium diffusion/early echo density, somewhat darker sound, chorused modulation.Ĭhamber. Emulates the sound of early 1980s room algorithms. Highly diffuse, bright initial sound, high echo density, lush chorused modulation. Inspired by early 1980s plate algorithms. Similar to the Concert Hall algorithm, but with a brighter initial sound, and deeper and lusher modulation. Huge spatial image, echo density that can be adjusted from very sparse to very dense, and lush chorusing modulation.īright Hall. Based on the hall algorithms of the late 1970s and early 1980s. New in ValhallaVintageVerb 1.7.1: Two new reverb modes, Chaotic Hall and Chaotic Chamber!Ĭoncert Hall. ValhallaVintageVerb is a postmodern reverb plugin, inspired by the classic hardware digital reverbs of the 1970s and 1980s. Listen: Valhalla DSP Has Come Unstuck In Time. #Valhalla vintage verb vs plate full#The modulation is still dark and noisy but will produce different artifacts than the 1970s mode as it is running at the full sampling rate.Valhalla DSP Valhalla VintageVerb v1.7.1 Win & MacOSX This is intentional.įull bandwidth/sampling rate, for a brighter sound than the 1970s. The modulation is dark and noisy and can produce strange and random sidebands with sustained notes. The Vintage Verb is a more generalized reverb, while the Valhalla Plate has more. Both combine super functional and very modern controls with a legit, classic tone. Valhalla makes two great, very affordable plate reverbs: Valhalla Plate, and Vintage Verb (which features a plate algorithm, among others). Downsampled internally to reproduce the artifacts of running at a lower sampling rate. Valhalla Plate and Valhalla Vintage Verb. Replicates the reduced bandwidth of the earliest digital reverberators (10 kHz maximum output frequency). As you switch through the eras, the colors of your GUI change, too. NOW is too digital, clean, and colorless. The 1980s is still funky, but with a brighter sound. The 1970s color model is dark and noisy with the potential for strange and random artifacts. The COLOR control dials in the tone color and sonic artifacts of each specific reverb era. The MODE control in Valhalla VintageVerb is a super powerful, high-level control that allows you to switch between 18 different reverb algorithms. Reverb Modes: Concert Hall / Bright Hall / Plate / Room / Chamber / Random Space / Chorus Space / Ambience / Sanctuary / Dirty Hall / Dirty Plate / Smooth Plate / Smooth Room / Smooth Random / Nonlin / Chaotic Hall / Chaotic Chamber / Chaotic Neutral / Cathedral (new in 2.2.0)
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